Sunday, February 21, 2010

PERCY JACKSON AND THE OLYMPIANS: THE LIGHTENING THIEF REVIEW

PERCY JACKSON AND THE OLYMPIANS: THE LIGHTENING THEIF
Director: Chris Columbus
Cast: Logan Lerman, Brandon T Jackson, Alexandra Daddario
Screenplay: Craig Titley
Running time: 118 min
Rating: M
***/*****
IT'S A SHAME SOMEONE COULDN'T HAVE STOLEN CHRIS COLUMBUS!

Despite comparisons to another fantastical franchise featuring an adolescent boy with magic powers, Percy Jackson is not the next Harry Potter. It is instead a rather mediocre yet entertaining entry into the genre that has the potential to achieve far greater things than what has been elicited out of this initial outing.

Following the theft of his precious thunderbolt Zeus wages war on Poseidon, convinced that the culprit is Poseidon's half human half immortal son Percy. Raised as a normal teenager Percy must channel his dormant powers and find the real thief before a war of the gods destroys the world.

Everything about Percy Jackson is quite hit and miss. The screenplay by Craig Titley lacks the emotional subtext that makes Harry Potter resonate with all ages. Instead rather bad dialogue and scant character development abound, with hastily introduced sub plots wrapping up as unsatisfyingly as they are introduced.

Based on the novel by Rick Riordan it is a shame that Chris Columbus could not have delivered a better thought out product as the premise is rather good. The Gods of Olympus have not featured prominently in a mainstream film for decades, and the concept that their half human offspring must train as warriors to save the world is practically every fantasy enthusiasts wet dream. Unfortunately Columbus fails to capitalise on the rather ingenious premise instead meandering about not quite sure on what aspect of the film he should be focusing on

Luckily for the film, Logan Lerman in the title role goes along way in smoothing over the movies flaws. Lerman has long been a child star to watch and as he develops into a young man his performances, particularly last years My One And Only, grow in depth and stature. Doing well with the bad dialogue he is given it is hoped that Lerman follows a Dicaprio type career path and not get caught up in a string of dead end franchises like many other teen stars that have gone before him. The supporting cast does not fair so well. Indie darling Catherine Keener is practically nodding of in her role as Percy's long suffering mother and whilst Brandon T Jackson gets in a few witty one liners as Percy's sidekick Grover, he appears awkward in any scene that requires a more "serious" tone. It is hard to ascertain anything about Alexandra Daddario's performance as Percy's love interest and fellow immortal as you are too distracted by the fact that she appears to be trying to pop her eyes out of the sockets in every scene , the same can be said or Pierce Brosnan in the sense that his half human half horse physique elicits the giggles so profoundly that it is almost impossible to concentrate on what is coming out of his mouth.

On the plus side a few solid action sequences and interesting cameos manage to briefly lift the quality of the rather hodge podge fair. One has to wonder if Columbus rushed the filming of Percy Jackson in order to beat Clash of the Titans to the screens as it often comes across as hastily thrown together and not entirely thought out. If this is a case it is a shame because potential peaks through the crevices of the film, potential that will hopefully be capitalised on should Percy Jackson be granted a second outing.

Despite the criticism Percy Jackson is a bit of mindless fun, which perhaps would not have been such a disappointment if the fine calibre of artists assembled had not been involved. Still more enjoyable than a lot of pop corn movies flooding the marketplace, here's hoping that Columbus can create some real magic in the sequel. THREE OUT OF FIVE STARS.

Friday, February 19, 2010

SHUTTER ISLAND REVIEW

SHUTTER ISLAND
Director: Martin Scorsese
Cast: Leonardo Dicaprio, Mark Ruffalo, Ben Kingsley
Screenplay: Laeta Kalogridis
Running time: 138 min
Rating: MA
*****/*****

YOU WON'T WANT TO CLOSE THE SHUTTERS ON THIS ONE!


The dream team of Scorsese and Dicaprio deliver their most thrilling and original effort yet in the form of the physcological mindfield that is Shutter Island.

US Marshal Teddy Daniels is called to a remote island to investigate the disappearance of a murderess from an institute for the criminally insane. Upon arrival Daniels soon begins to realise that nothing is as it seems, nobody can be trusted and danger lurks around every corner.

Like Shutter Island the location, Shutter Island as a film is a rich tapestry of intrigue in which the viewer never feels safe in it's presence. Also like the island itself you never quite know what to expect from the film or even how to define it. As the story unfolds the genre you think you are watching is constantly evolving. Is it gritty film noir, closed circled crime fiction, cop drama or sensationalised pulp? Nobody knows genre better than Martin Scorsese and this very gift enables him to mess with the viewers expectations as he presents us with convention and then turns it upside down.

When it comes to suspense Shutter Island by far surpasses all other cinematic offerings of the past decade. From the opening scene to the rolling of the credits the viewer is bombarded with a plethora of plot twists, red herrings and interconnected sub plots as the narrative grows deeper and more intense. To discuss said narrative would merely spoil the experience for the viewer as the total unpredictability of the films plot is one of it's finest assets.

Dicaprio once again turns in an awards worthy turn as the films damaged protagonist Teddy Daniels. Few actors can emote so much in such a subtle manner without chewing the scenery. The pain expressed in Dicaprio's eyes will haunt you for long after the lights come up. Daniels narrative is complex but Dicaprio handles the progression of his character like the pro that he is. It is hoped that Dicaprio doesn't follow in his directors footsteps in being relegated to always being the bridesmaid for the coveted Oscar. Fingers crossed that Shutter Island remains in voters minds for the 2011 awards ceremony as Dicaprio's performance is one of the best of this or any year. Mark Ruffalo lends excellent support as Daniels partner Chuck Aule. It's definitely Ruffalo's best performance to date and one hopes that he will be offered more roles of substance after this outing. Rounding out the supporting class is the suitably intriguing Ben Kingsly as the resident head physcologist, a scene stealing Ted Levine as a suspicious warden and Michelle Williams as Daniels deceased wife. Brief cameos by Jackie Earle Haley as a patient and Patricia Clarkson as a mystery woman are masterclass acting at it's finest and enrich the quality of the picture.

Cinematographer Robert Richardson does a superb job of making Shutter Island the foreboding and maze of fear that it appears to be. All other departments also seem to come up trumps with the epic musical score of the picture in need of a notable mention.

Shutter Island is one of the most original, unsettling and thought provoking film experiences you are ever likely to get. The intricacy of the plot plays out like clockwork, showcasing film making at it's finest. One of the must sees of the year and definately worthy of being considered a modern classic, here's hoping the Dicaprio/Scorsese partnerships continues for years to come. FIVE OUT OF FIVE STARS